debussy dior | Dior dresses debussy dior “A favourite dress was ‘Debussy,’ an evening ensemble in blue silk net embroidered with iridescent sequins, featuring a strapless bodice, slender column-like skirt, and separate sweeping train, from Dior’s Ligne Verticale collection.” Case: 40mm, stainless steel. Bezel: Fixed, engraved with 24-hour scale. Dial: Black dial or white “Polar dial” Lume: Tritium, Luminova, or SuperLuminova. Crystal: Sapphire with .
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“A favourite dress was ‘Debussy,’ an evening ensemble in blue silk net embroidered with iridescent sequins, featuring a strapless bodice, ."Junon" Couture Line House of Dior French. Designer Christian Dior French. fall/winter 1949–50 haute couture. Not on view. By 1949, Christian Dior's instinct for calibrated innovations of the body's "line" had established him as fashion's .
dior's venus
If a woman wanted a gown that was both fashionable, attractive and unfailingly "correct," she sought out Dior. This gown, from Dior's final collection, demonstrates his feminine and regal design sensibility, from the floor-length .
“A favourite dress was ‘Debussy,’ an evening ensemble in blue silk net embroidered with iridescent sequins, featuring a strapless bodice, slender column-like skirt, and separate sweeping train, from Dior’s Ligne Verticale collection.”
"Junon" Couture Line House of Dior French. Designer Christian Dior French. fall/winter 1949–50 haute couture. Not on view. By 1949, Christian Dior's instinct for calibrated innovations of the body's "line" had established him as fashion's preeminent arbiter.
If a woman wanted a gown that was both fashionable, attractive and unfailingly "correct," she sought out Dior. This gown, from Dior's final collection, demonstrates his feminine and regal design sensibility, from the floor-length full skirt to the turned back collar that would grace the wearer's collarbone and three-quarter length sleeves that .
Designer: Christian Dior (French, Granville 1905–1957 Montecatini) Date: fall/winter 1948–49. Culture: French. Medium: cellulose acetate. Credit Line: Gift of Bettina Ballard, 1958. Accession Number: C.I.58.7.8a, b. The Metropolitan Museum of Art.This evening dress of silk satin and velvet, designed by Christian Dior (1905-57), is constructed in two parts. The tight-fitting top is attached to the skirt with a series of complex fastenings. The skirt itself is very full and heavy, with panels of integral silk velvet that create the appearance of a massive bow, which Dior described as the .
In 1947 Christian Dior established his now legendary maison de la couture with a collection that rocked the postwar world through its full-blown romanticism rendered in extravagant amounts of.
christian Dior dresses
About the Look. This evening ensemble is a luxurious silk satin gown (Fig. 1) designed by Dior for his Fall/Winter 1948 collection. This fabric is highly lustrous candlelit satin that causes the pleats and folds to shine. The base bodice is a fairly simple design – a strapless bodice that folds over straight across the top. Christian Dior, "Debussy" sequined evening gown worn by Margot Fonteyn, S/S 1950. Lent by Fashion Museum Bath. Photograph by William Palmer. Dior "Debussy," 1950. Worn by ballerina Margot Fonteyn. Stunning and timeless! 60K subscribers in the fashionhistory community. A place for historical garments, past patterns, illustrations, demonstrations, perukes, petticoats..Haute couture, Spring/Summer 1947. En 8 line. Wool and silk (velvet), with silk (tulle) hat and Swarovski crystal choker. Named after the fashionable Parisian café Maxim’s, this dress featured in British Vogue’s first coverage of Christian Dior.
“A favourite dress was ‘Debussy,’ an evening ensemble in blue silk net embroidered with iridescent sequins, featuring a strapless bodice, slender column-like skirt, and separate sweeping train, from Dior’s Ligne Verticale collection.”"Junon" Couture Line House of Dior French. Designer Christian Dior French. fall/winter 1949–50 haute couture. Not on view. By 1949, Christian Dior's instinct for calibrated innovations of the body's "line" had established him as fashion's preeminent arbiter.If a woman wanted a gown that was both fashionable, attractive and unfailingly "correct," she sought out Dior. This gown, from Dior's final collection, demonstrates his feminine and regal design sensibility, from the floor-length full skirt to the turned back collar that would grace the wearer's collarbone and three-quarter length sleeves that .
Designer: Christian Dior (French, Granville 1905–1957 Montecatini) Date: fall/winter 1948–49. Culture: French. Medium: cellulose acetate. Credit Line: Gift of Bettina Ballard, 1958. Accession Number: C.I.58.7.8a, b. The Metropolitan Museum of Art.
This evening dress of silk satin and velvet, designed by Christian Dior (1905-57), is constructed in two parts. The tight-fitting top is attached to the skirt with a series of complex fastenings. The skirt itself is very full and heavy, with panels of integral silk velvet that create the appearance of a massive bow, which Dior described as the .
In 1947 Christian Dior established his now legendary maison de la couture with a collection that rocked the postwar world through its full-blown romanticism rendered in extravagant amounts of. About the Look. This evening ensemble is a luxurious silk satin gown (Fig. 1) designed by Dior for his Fall/Winter 1948 collection. This fabric is highly lustrous candlelit satin that causes the pleats and folds to shine. The base bodice is a fairly simple design – a strapless bodice that folds over straight across the top. Christian Dior, "Debussy" sequined evening gown worn by Margot Fonteyn, S/S 1950. Lent by Fashion Museum Bath. Photograph by William Palmer. Dior "Debussy," 1950. Worn by ballerina Margot Fonteyn. Stunning and timeless! 60K subscribers in the fashionhistory community. A place for historical garments, past patterns, illustrations, demonstrations, perukes, petticoats..
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